Adri & Daneel’s Wedding

I had the privilege of being part of Adri & Daneel’s beautiful fairytale day by doing Adri’s makeup.

It was so much fun ‘hanging’ with the bride & her bridesmaids while they were getting ready with a glass of bubbly in hand.

Herewith their absolutely stunning photos by the super talented Lizelle Lotter.  The photos absolutely 100% capture the couple’s fun and playful personality.

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Make up: Adele Pool – Makeover Mayhem

HairSchalk van der Westhuizen - Touch of Colour

Photography: Lizelle Lotter Photography

LocationLangverwagt farm

1920′s Makeup

In keeping with my excitement to go and watch Great Gatsby, I thought it would be fun to delve into period makeup looks, starting with the 1920′s.

period makeup

1920′s Makeup & Beauty

(Image: Google Images)

(Image: Google Images)

The 1920’s makeup look can be described as Heavy.  This new heavy makeup look was a reaction to the demure Edwardian era.  Women were increasingly driven by marketing through cinema and advertising. The inventions of the 1910s mascara, lipstick, eye-shadows, pan-sticks (thick and heavy cream foundation in stick-form…MaxFactor has a Pan Stick foundation), powder compacts etc. by leading innovators such as Max Factor, Maurice Levy and TL Williams, the founder of Maybelline, were now to be found on dressing tables and women’s handbags all over the developed world.  The attitudes towards make up and women wearing makeup made a dramatic switch.   Before now, it was not really socially “proper” for young girls/ladies to wear makeup.  If makeup was worn at all it was muted in colour and generally hidden away.

Part of the massive change in the entire makeup industry was due to the removal of harmful chemicals such as mercury, lead and sulphur from most products.


  • Eyebrows were very high, thin and arched, usually drawn in pencil. Women often shaved their eyebrows to make it easier to draw in the ‘fashionable fakes’.
  • Eye makeup was dark and dramatic, the eyelids were covered with a dark eye shadow such as grey or green, this was applied liberally and heavily.  In today’s terms it would look smoky.
  • Kohl was then a mixture of soot, lead and goose fat and was applied all around the eye and smudged outwards.
  • Focus were placed on defining the inner eye corner, rather than the outer corner, as we do today.
  • The eyes normally had a more downward/panda look.
  • Mascara was also applied, but it came in block form…it had to be heated up and applied with a stick or wand.   Mascara in tubes as we know today was not invented until the 1950’s.
  • False eyelashes were also popular in the ’20’s.
  • To apply, first start by applying foundation/concealer over the eyelids as a base for the eye shadow.
  • Apply a grey or any dark shadow all over your eyelid and blend slightly upwards into the crease.
  • Draw a line in pencil eyeliner along the top and bottom lashes.
  • Smudge it outwards all around your eye, for a wider eyed, more dramatic effect, make sure you smudge the line out further at the bottom and top outer corners of your eye.
  • Apply mascara liberally to the top and bottom lashes.
  • If you are using false lashes, apply them to your top lashes only.
  • Apply powder in a natural colour that best matches your skin tone, use a large round brush or a sponge.  The powder can be caked on, but should not look cakey.

Foundation & Face Powder:

  • Prior to the 1920’s face powder had been very pale and pasty, but with the changes in social attitudes it was now more socially acceptable to be outdoors, and have a ‘natural tan’.
  • Colours were now much more natural than the previous muted ivories and pale whites that were available.
  • The desired completion was still a pale look, but a creamier, more perfect porcelain look than the previous over the top cakey applications.  A foundation 1-3 shades paler than your skin natural skin tone can be used to achieve this.
  • Apply powder in a natural colour that best matches your skin tone, use a large round brush or a sponge.  The powder can be caked on, but should not look cakey.


  • Blusher was known as rouge, and came in many forms i.e.  powders, creams, liquids.
  • Powder form eventually became the most popular.  It was applied to the face with a brush but not as blended. A visible ‘circle’ was left giving a doll like appearance.
  • By the middle of the 1920’s orange was the most popular colour for rouge.


  • Lips were an incredibly important part of the makeup, the key to the look.
  • Many women would line their lips in liquid rouge to give a more dramatic effect.
  • A deep dark oxblood/plum red colour lipstick was really the only colour that was available, it came in a few different shades and was applied to the upper lip and taken slightly above the natural lip line, and the same was done with the bottom lip.
  • In the early 20’s the lips were not coloured right into the corners of the mouth, instead the colour stopped quite dramatically.
  • In the later 20’s lips were coloured right into the corners of the mouth and the colour on the top lip was taken above the lip line either side of the cupids bow and the middle was left uncoloured, giving the look that the lip was kind of split in half.
  • This ‘Bow Lip’ shape was named after Clara Bow, an actress of the times.
  • To achieve this, line the lips in a colour that is close to the lipstick, not your lip colour. Apply lipstick, but don’t apply colour near the corners of your mouth.
  • Take the colour past your natural upper lip line, over emphasise the tips of your cupids bow, but leave the middle. Add colour all over the lips.

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(Images: Google Images)


Great Gatsby

I am so excited and can’t wait for Leo DiCaprio’s latest movie: The Great Gatsby, set for release later this month.

The movie premiered last night at Cannes Festival, and I saw this morning it is ‘Coming Soon’ at Eikestad Mall Ster Kinekor.

Tobey Maguire, Baz Luhrmann, Carey Mulligan, DiCaprio and Amitabh Bachchan at the Cannes Premier.

Tobey Maguire, Baz Luhrmann, Carey Mulligan, DiCaprio and Amitabh Bachchan at the Cannes Premier. (Image from

If I could choose (fashion & music wise that is) when I wanted to live, it would either be the roaring 20′s or crazy 80′s.  Yes I know…80′s with the horrible fashion!  To me the 80′s represent experimentation, renewal & crazy fun.  Never has fashion been this (awfully) creative and expressive.  So yes…the 80′s.

Back to the the Roaring 20′s.

It was all about glitz and glamour. It was decadent and divine. Those were the roaring 20s. Fashion’s on-going love affair with this rebellious (i’m noticing a pattern) and glamorous decade is evident this spring. Laden with drop waistlines, flapper dresses, fringes and frills, hats, head/hair adornments and of course elaborate jewellery.

I am also a huge fan of Art Deco design, as in furniture & architecture.  Art Deco was  an influential visual arts design style which first appeared in France during the 1920s, flourished internationally during the 30s and 40s, then waned in the post-World War II era. The style is characterized by rich colors, bold geometric shapes, and lavish ornamentation. New York City (where I so want to live) has the most amazing Art Deco buildings, such as the Chrysler.  Even our beautiful Cape Town has a couple of stunning Art Deco Buildings.

Mutual Building with interior, Cape Town

Mutual Building with interior, Cape Town

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With the upcoming release of Baz Luhrmann’s The Great Gatsby, fashion lovers are in for a vintage treat, thanks to an array of 20s-inspired pieces worn by Carey Mulligan, who stars as Daisy Buchanan.  The movie is a remake of F. Scott Fitzgerald’s 1925 novel.  I can not wait.



Did the movie follow this season’s fashion trends as seen on the Spring 2013 runways, or did fashion inspire the movie?  Who knows.



(Images from

Lastly, my avant garde makeup representation of 1920′s, the start of the SMOKEY EYE.

(Makeup by me, 2012)

Fall/Winter Fashion Trends 2013

Last week I went shopping for a client at Canal Walk, Cape Town.

It was so interesting and so much fun browsing through the stores, picking up on the similarities in all the stores.

One thing I really love about shopping for someone else is that I get to play around with colours and styles I would never choose for myself.  I absolutely love colour…on other people and as paint and decor accents in my house…not so much wearing it.  Although I do have an absolutely gorgeous red Ralph Lauren, Lauren Tote, and am in desperate need of gorgeous matching shoes.

Back to this year’s Winter Fashion Wonders:

What I’ve noticed is it’s not so much about cut and style as it is about colour.  The basic style of clothes is very much the same as last year (and probably the year before) as in leggings with a dress or top over, waterfall tops, skinny jeans with boots, chunky knits etc.  Punk meets Rock is quite big this year, so is military/camo inspired, animal prints and glamorous metallics.

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What I do love about this winter’s fashion is the colour.  All rich and deep blues, greens, reds, burgundy, red wine, moss green, rust, mustard, burnt orange, pumpkin orange, eggplant purple, cobalt blue…basically anything rich and deep.  As for the neutrals I saw a lot of navy, stone, coffee brown, taupe, camel, grey, and of course black and different tones of white and off-white.

I can just see how much fun one can have putting together fun and interesting colour combinations.

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(Images from